The first single, “Cecilia and the Satellite” was actually one of the last songs written for the album. “A few weeks before Cecilia was born, I was introduced to James Flannigan, a British songwriter and producer. I knew I wanted to write a song for her, to show her who I was before she was born and my commitment to protect her.” While “Cecilia” details McMahon’s love in high contrast with what he calls “the impermanence of living,” - its soaring chorus anchored by a kick drum like the steady thump of a heartbeat.
After seeing the impressive results of their session, McMahon asked Flannigan to join him and Viola to help finish production of the album. The three of them bounced around LA in various production spaces and studios until all the details had been tweaked and McMahon was satisfied that it reflected the journey as a whole. “I had been dreaming about an album that sounded like this for years, but I didn’t know it until I heard it. It took all three of us. I realize now how important every piece of the process was - every step on the path and every voice in the room.”
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