The JangleDrop
miércoles, 27 de abril de 2016
jueves, 21 de abril de 2016
miércoles, 20 de abril de 2016
lunes, 18 de abril de 2016
domingo, 17 de abril de 2016
viernes, 15 de abril de 2016
jueves, 14 de abril de 2016
miércoles, 13 de abril de 2016
Personal Best: Arnos Vale (2016)
Recorded late 2014 in the misty hills of mid-Wales with Gethin Pearson (The Enemy / Chain of Flowers), the album builds on last year’s debut, The Lovin’ EP.
Like all the best pop they aren’t afraid to sing unashamedly about love; exhilaration and anxiety of being in love, realising what you have but being scared to lose it. lyrically, Arnos Vale focuses on the short n' sweet. If you’re already acquainted expect more of the same; a no-frills, chorus-and-riff-heavy power pop record! Influenced heavily by the 1990s US indie rock scene, Personal Best take cues from the likes of Superchunk, The Lemonheads & Sleater Kinney, to create a dynamic and hook filled album.
martes, 12 de abril de 2016
Fall Seattle: Fall Seattle (2016)
Fall Seattle is a four-piece rock band formed in 2012 in Reston, Virginia, USA.
After spending over two years recording at friends' houses and family basements, the band is finally releasing their self-titled debut album. Expressing a love for krautrock bands such as Can, Faust, and Kraftwerk, as well as pop, post-hardcore, post-punk and noise acts, ‘Fall Seattle’ is a kaleidoscope of influences and tries on an array of genres for size.
From the one-two snap of snare-in-to-wash of shoegaze-y melody that kicks off ‘Wanda Johnson’, to the dark jangle of the Cure-esque ‘Nothing You Can Hold On To’, via the Deerhunter meets Roy Orbison, aching balladry of ‘Boyhood’, Fall Seattle drink in some high watermarks of contemporary guitar music.
There’s a youthful longing underpinning much of this debut album, with the instrumentation sometimes smashing up against, but more often complementing, Orsy Campos’ delicate, melodic vocal lines. The guitar playing recalls the twists and turns of modern jangle-heroes Real Estate, albeit processed via some kind of space-rock filter, not content with the suburban backyards of America, looking upwards and outwards in to the void for sonic resolution.
lunes, 11 de abril de 2016
Magic Bullets: Young Man´s Fancy (2016)
Guitarras cristalinas, voces y tonos ochenteros que nos trasladan al tiempo de los cardados y las hombreras... Yeah!!
domingo, 10 de abril de 2016
Childsaint: Hallelujah heartache (Single, 2016)
Hallelujah Heartache offers the familiar sounds of Childsaint’s soft and soulful choral vocal melodies, combined with the backdrop of dark and dreamy layers of guitars and drums. A little louder and a little grittier than Sick, this single is a sneak peak at how the band’s sound has evolved since the release of their debut EP
sábado, 9 de abril de 2016
viernes, 8 de abril de 2016
The Slytest: Charge and reload (Single, Stockholm Recording & Publishing, 2015)
El Indie de toda la vida...
jueves, 7 de abril de 2016
miércoles, 6 de abril de 2016
Surf Friends: Dreams are real (2016)
No sé si tomarlos como Sunny-Pop o como Kraut desacomplejado...
martes, 5 de abril de 2016
The Ocular Audio Experiment: Laughing dreams (2016)
Chicas-os: no toméis sustancias que os ofrezcan en según qué sitios sin supervisión de un adulto. Podrían ocurrir cosas como éstas...
domingo, 3 de abril de 2016
Josh Hwang: Phase 1 (2016)
Y hablando de clasicismos, qué decir del Fuzzy-Pop de un home-maker como Josh Hwang...
sábado, 2 de abril de 2016
viernes, 1 de abril de 2016
Reagan Cats: Sand Man (Ep, 2016)
¡¡ Hasta el Indie de los noventa se nos ha hecho ya clásico...!! Mayores somos...
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